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The Osun Osogbo Festival: Its Functions And Aesthetics

The Osun Osogbo Festival: Its Functions And Aesthetics

Abstract
The abstract of this research is only available in the paid version.

Table of Content
Title page
Certification
Dedication
Acknowledgements
Table of contents

CHAPTER ONE
1.1 Introduction
1.2 The Concept of Aesthetics in the Osun Osogbo Festivali
1.3 Purpose of study
1.4 Scope of study
1.5 Methodology
1.6 Justification
CHAPTER TWO
2.1 The concept of oral literature
2.2 The Origin of Osun Osogbo River
2.3 The Osun Festivali

CHAPTER THREE
3.1 The Aesthetics in the Osun Osogbo Festival
3.1.1 Drums
3.1.2 Dance
3.1.3 Costumes
3.1.4 Music
3.1.5 Languages
3.2 Major Roles at The Osun Osogbo Festivali.
3.2.1 The Ataoja (king)
3.2.2 The Iya osun (osun priestess)
3.2.3 The Arugba osun (osun bowl carrier)
3.2.4 The Aworo osun (osun priest)
3.2.5 The Audience

CHAPTER FOUR.
4.1 Importance of Osun Osogbo festivali
4.2 Findings on the Osun Osogbo festivali

CHAPTER FIVE
5.1 Summary
5.2 Conclusion

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